National Covid Memorial Wall
The National Covid Memorial Wall on London's Albert Embankment is a half-kilometer Portland stone wall lined with over 250,000 hand-painted red hearts facing the Houses of Parliament. Founded as an unauthorized collective artwork in March 2021 by bereaved family members and the group Led By Donkeys, over 1,000 volunteers initially painted 150,000 hearts in ten days. The site was officially designated a permanent national memorial in November 2025.
London Β· from the walk βThe Artist's Thamesβ Β· audio ~4 min Β· Generated
National Covid Memorial Wall, Albert Embankment, London SE1 7GP
- Matt Fowler painted the first heart on the National Covid Memorial Wall on March 29, 2021.
- Over 1,000 volunteers initially painted 150,000 hearts across half a kilometer using 9,000 Posca pens.
- In August 2021, the Friends of the Wall group began repainting fading hearts using masonry paint.
- The site was officially announced as a permanent national memorial in November 2025.
When was the National Covid Memorial Wall in London officially announced as a permanent memorial?
Take a slow look at what stretches before you. Half a kilometer of hand-painted red hearts... over two hundred and fifty thousand of them... lining the Portland stone wall of the Albert Embankment, right along the Thames. As a visual artist, you'll immediately sense something Rare here. This is not a memorial designed by a committee or an architect. It is one of the largest works of collective public art in London... and it began as an unauthorized act.......... Matt Fowler and Jo Goodman, strangers who connected online after losing their fathers to the virus, founded Covid nineteen Bereaved Families for Justice. They partnered with Led By Donkeys, an activist group of four friends β Oliver Knowles, James Sadri, Ben Stewart, and Will Rose β originally known for pasting politicians' broken promises onto billboards.......... Now here is where the artistic choices become fascinating. Why hearts... and why red? The creators considered and dismissed the idea that the hearts should be stenciled β because, as Sadri explained, it would not have tapped into the uniqueness of each life. They chose red for visual impact. The red signifies blood, passion, and alarm β qualities intended to evoke emotional urgency.......... On the twenty ninth of March, twenty twenty one... Matt Fowler inscribed the wall's First heart. Over a thousand volunteers then hand-painted approximately one hundred and fifty thousand red hearts over just ten days. Think about that rhythm β the physical act of bending, dipping a brush, shaping a heart... repeated a hundred and fifty thousand times by a thousand different hands.......... And the medium itself tells a story. They used approximately nine thousand Posca pens. But here is the twist... what had been intended as a temporary artistic interpretation of the devastating death toll became something far more, but the Posca pens were not designed to withstand the elements, and within weeks the hearts had begun to fade.......... The impermanence became part of the meaning. And then... in August twenty twenty one, a small group of bereaved women got together and committed to ensuring this would not be allowed to happen. They called themselves the Friends of the Wall. Over time they completely repainted every heart with long-lasting masonry paint, rewriting dedications, removing graffiti, and adding hearts as the death toll continued to mount.......... Look at the placement. This is no accident. The wall faces the terraces of the Houses of Parliament, creating a powerful dialogue between public grief and political responsibility. Behind the wall sits Saint Thomas Hospital, one of the biggest hospitals in London β where many of those represented by these hearts spent their final hours.......... And in November twenty twenty five, this grassroots creation β born without permission, maintained by volunteers with paintbrushes β was officially announced as a permanent national memorial.......... Stand close and you see individual handwriting, names, messages of love. Step back... and the hearts form a vast field of crimson, almost like a pointillist painting. Each mark is intimate. Together, they are Monumental. That tension β between the singular and the collective, the personal brushstroke and the overwhelming whole β is what makes this one of the most extraordinary pieces of art you will encounter anywhere along this river.
Nearby stories
- South Bank Lion β 140 m
- The Coade Stone Lion β Lambeth's Riverside Guardian β 180 m
- Archbishop's Park β The Archbishop's Gift to the Poor β 370 m
- Westminster Underground Station: 'Ingenious, These Muggles' β 370 m
- Leake Street Arches (Banksy Tunnel) β 400 m
- Parliament Square β Where Power and Intrigue Collide β 430 m